Tuesday, February 22, 2011

I never meant to be a housewife

I thought my life
Was not about this stuff
in my head
yarn and dandruff and bits of timber
a tangled knot of inadequate kindling
all too ready to burn
and i
always looking for the nearest
fire extinguisher
(ah dear lover,
did i not tell you?
your gaze is as good as the spray of baking powder
on the flames of anxiety - for a while.
Even you
can't keep them subdued
forever)

I thought my life
was about the Poor
or at least the Planet
doing something (anything) useful
for these Burning Times
and the Great Imbalance
between carbon and oxygen -

the graves of the Sacred Dead
Mighty dinosaurs and Great plancton
have been plundered
the thieves rich in property and fine cheese.
Now the living butterflies
who took eons
to learn the art of transfiguration
(to kill their own caterpillars
then fly with grace)
are driven into the exposed graveyards
by greed, short-termism and other human sins.
i thought I
would come up with something (anything)
to help such precarious precious life.

instead
i've become a good baker
without sugar or wheat;
well-versed in onions and bones
making nourishing stocks;
i'm quite competent
at running a healthy clean kitchen
on a meagre budget;
skilled at listening to storms of abuse and fear
and saying a few kind words
to the shattered mind and the hungry heart
of people I sort-of know.

I never dreamed of
such humble housewife abilities.
They came about while
i was making
other plans.

Still my nightmares
are of caterpillars
turning to maggots
and rainforests
stripped to deserts
and a dark-hooded stranger
from palestine
knocking at my door
because there is no room
at the Inn;
and I
might be so worried
about the raising rye flour
that I may not
offer them
a warm bed
for the
Night Within.

May the deep waters fill you

May the deep waters
enfold your daffodils
So their bouncing heads may lift to the sunshine
their petals open to the bees and the wonders of children
who know that they themselves (though made of clay) are just spirits,
dancing in the wind;

May the bounded rationality of your 7.5 lb head
rest into the warm seas of possibility
and discover that it is attached to none other than your own body
which still knows how to float;
let your gaze rise to the heavens
the stars that brought you here so long ago
and breath

May the ice cold fears in your belly
be exposed to the warm sun
running into rivers
that will smooth the sharp rocks of your muscles
loosen the terror in your gut
nourish the dry stream beds
around your eyes
so that the King Salmon of your soul
may come alive
and remember
how to swim
(even now, even upstream)
with such
bright shining joy;

May the deep sea
where all is dark
bring forth its mystery
into your being
breaking the ice sheets
that for too long have paralysed you -

and may they
in their melting
be gentle,
not too hard in their crackling
but instead bring you to new
stable shores
where you may find such beauties
fit for the king of the lillies
who needs no gold cloth
just his own honest
shining
beauty.

Stock

On our last day together
I bought beef bones from the butcher
thick red and white angular bloody joints
raw meat still clinging to them

You watched me
envelop them in water
flavour them with onion and garlic
then nestle them onto the quiet back burner
for a long slow simmer.

On our last day together
I made a stock
you would never taste,
Plopping thick spoonfulls of the cow's life
Into soups and stews -

This stock -
my bridge
from one life to another
from our past to (my?) future -


that this body
you stroked grabbed caressed held loved
into health
might be properly nourished
on this
blustery dark cruel Febuary night
when I
must
eat
alone

Tuesday, February 15, 2011

those rare questions

there are very few questions
that have the weight and heaviness of a stone
large enough
to change the course of the river.

there are countless little questions
that we run over
smoothing them with our burbles and our chatter
those stones at the bottom of our rivers
those questions create
beautiful ripples and eddies
and ways of sweetly running together

but then
there are those questions that hover
above our waters
with a presence
thick and mighty
a gravitational pull
that forces
the stones to re-arrange themselves
that forces the waters
to undergo choice
to find a direction
a form a shape a pattern
new and different.

Those questions
are posed at a distance
we feel the shadow of them
looming
for quite some time
but we skillfully
avoid them answering
by rushing
but they will come again those
words
when we are ready
(and when we are not)
again and again until
one day
becomes today

the question is posed.

i did not see this stone.
was i hiding from it? no, i just
wasn't ready to hold it.
such stones - they need careful holding.

but then i rounded the bend.

and you saw me.
and who you saw -
it startled you, too.
so much so
that you let go of the stone you had been slowly polishing

will you...

(how did i not see this moment coming?)
all i could do
was laugh
as the fishes in me
swarmed
as the octopus
came to attention, tentacles suddenly poised
as the clams and oysters and mussels
snapped closed
and the little barnicles swam quickly through my arms

the stone was dropped
the waters parted
there was nothing to do but
sit in silence.

will you....

Never have I been asked.
Gratitude amazement the light shined brightly
on foam and wave and current - looking back -
i have come such a long way
we have traveled so far along the banks of these shores
and now this, this invitation
just as I thought I would go the other way
the swarms of fishes, they looked
they saw such a vast beautiful lake
familiar yet utterly new
we had never been here before:
I have a thousand yeses for you.

But the octopus
she has just come out of her cave
and the mussels and oysters and clams
are only just learning to open
to feed on proper food
not just sand and grit and plastic -
(I have only just begun cleaning
the damages of the oil spills)

And there is an ocean!
The octopus needs a very large ocean
the mussels will need fresh food from far distant shores
the barnicles
are seeking.
They are seeking
a whale.

You my love
you my love
you my love
You do not travel as much as you used to.

Were it just a question of fishes:
perhaps.
(maybe in the future?
after some high sea traveling on my own?)
but really
the barnicles
need
a very strong young whale
to take them deeper
than they have dived thus far.

I have only
just discovered
about leaving the harbor.

Just for today
I choose to trust that there
are other Stones
that might someday
be dropped
into the deep silence
where the whales sing.

And so these questions
come to us when we are (are we?) ready
and they hover
then they drop
embedding themselves into the plates of our souls
changing the shape
of our oceans.

You, you are so bright.
a silver diamond you shine
as your question sinks itself down
nestling itself into the soils at the bottom.

My question still stands
you whisper as you walk out the door
So does my answer
I murmur

when he leaves
the fishes protest.
i am left
gasping for air,
drowning in myself;
these waters are not yet calm.
but the mussels practice opening their shells
the barnicles are beginning to look
for that whale.

and the octopus
oh the octopus
she has not
returned to her cave.







raining, today

it is raining today
i give up all semblance of working today
instead today
i surrender; today
i can only practice feeling (my way towards myself) today
the rain dances lightly on the skylight in the day time
white clouds, white water, white wind
the day when all i can do is listen
a few cars, children at school, soft breathing
the day all i can do is sit here
somehow i am still breathing somehow
despite everything because of everything today
i let the rain be the tears
that still cannot fall
as i sit and stare
today is the day you
asked me
the question you have never asked
oh, how we've talked about it
words gently falling around one another, all sides
like the rain
white words, white laughter white answers.

but then today
you opened the skylight.
the rain is wet
the wind is cold
the whiteness quakes the soul -
you
asked the question.

Water
is so sacred.
yet we
who hide ourselves in houses, behind windows
so rarely drink
so rarely feel the rain.

Wednesday, February 9, 2011

speaking of fear, softly

face soft with kindness
wet with tears
we spoke gently of fear.

fear:
of not being able to 'do it' alone
of loosing my best friend
of causing irreparable hurt
of the longing ....

fear:
of never finding a love like this again
of the meaning being taken away
of the light disappearing
never being lit again.

separating intertwined paths
untangling thick webs of relation
leaves
weak legs, soft boundaries, constricted throat
so much naked vulnerability and long silences
comforting hands and murmuring 'my dears'
tears and sighs and long-distant stares.

i am forced to believe
that there is, somewhere, a light
that can not be turned off
no matter who, or when, or how
the door closes shut.

from behind fig trees

he knew
When he asked the question
he knew the answer
he must have known
that is His perogative
to Know -
to Know us better than we know ourselves

Where are you?
(Oh, how many times I have asked that of Him!)
but in the Garden he asked it of them
who had tasted good and evil
and suddenly
knew shame.

The shame hides me
i hide in the shame
from the shame
around the shame
I will destroy the glorious fig trees
in expression of shame

creditors, debtors, debtees
invoices bank statements unopened letters
bottles relationships colleagues unfinished
broken promises
boxes of cake, scores of chocolate eaten at midnight
carbon footprints, oil addictions, squandered lives
self-starvation, stealing, manipulating
viscious laughter, unacceptable and unacknowledged pleasure
warfare, germany, rwanda, china, bosnia, columbia, mexico america
who is the real abuser
rapists mascurading as security guards and (their) women cast out -
cast away -
grown victims of pedaphilia hang their heads
(as if the victim is at fault) -
our shame
litters this precious planet
a plastic island, a thousand species dead,
the mourning of silent springs
sounds like the whistle of wind through dry weeds
where once was lush pastoral land
before the oil was stolen from its burial chambers
and the climate changed



He said,
Where are you?
But he knew, he knew!
Why must he ask us to come forward?
Why must we of our own accord
step forward
from behind fig trees
and announce ourselves
clothed
announcing our shame and our bodies
such naked vulnerability
the girl who did not want her father to see her
the boy who did not know how to be a man
the fear of being cast out
(if you see me you will surely inevitably reject me)
the fall

An invitation:
Where are you?
To be seen.
To know good and evil
and to learn
that actually
you are good
that really
you are loved
and all that stuff
is just stuff
because we have already
survived the fall
we have already
been known
as beautiful.
To be broken
and discover inside
the sweet pink flesh
of figs -
this too surely
he knew.




Tuesday, February 8, 2011

it must be true

it has to be true.
in my disbelief
i am cornered
into believing.

between this wall
and that field of flowers
are the demons
the dogs and the monsters and the Overwhelm
the parents and the teachers and the administrators
the older kids who had hips and breasts and waists
(I, meanwhile, was a rather tall lumpy orange)
the girls who turned their backs
the men who could not be reached, could not be touched
the smell of alcohol on his breath
the sound of the refrigerator door opening
the poisonous sweet-sticky honey
of a home i still struggle to leave behind
an ocean and a continent away from here.

between me and that field of flowers
bars cold and rigid
the elephant who needs no chain as an adult
for it does not know it is no longer a child.
Memory and neuronic pathways that bind.

between this corner and that field of flowers
i have seen
a drunk man fall
into Fellowship
and Recovery.

I saw him crawl
and learn to walk
then to break the chain
and give it good burial
and wade his way
through those demons
and now he sits
across from me
in that field of flowers, smiling.

it has to be true
i in my disbelief
thrust against this wall
see a field of flowers
i, poor as i am,
am not as poor as that drunk fallen beaten vomitting man
who is now laughing
so even i
even i
even i

there must be One
Big Enough
to carry
even one such as I
Through
to that field of flowers
oh to feel the spring sunshine
in that field of flowers.
It has to be true.




the great discovery

she laughed when she found it.
Such giddy relief
Nine years, three continents, therapy, prayer and poetry:
so much work
for its discovery.

it had been there all along
shining and bright like starlight
but wrapped around her eyes
she could only see the strands and the threads
sometimes crossing one another
she kept swatting at it
as if was a swarm of flies
or dense fog
she clawed at it
not knowing where it was
she dug deep red stripes into her own flesh.

eventually
after being swirled around
only seeing strands here and there
she cast it into the middle of the circle
of friends
(she could not do such a thing in solitude
some thoughts are too big
to think alone)

finally
it was there
and it had a shape, a size, a name:
her Knot.

Ah, and what a Knot it was!
Silver and blue
glistening and shimmering
a Celtic Knot
with such a bright golden light coming from within

bouncing, lightly hovering above the ground
it had its own rhythm.
Watching it
she knew, suddenly, that it was not her:
she was not her knot!
Relief flooded her.

But that tangle of cords
that pulsed and breathed of its own accord
it was bound to her and she to it
a thin golden thread
umbilical cord
it was her gift her curse her love her construct
when loose
it could give off such light
order out of chaos
beauty out of and even within darkness
an ancient rhythm to call her home
but when too tight
there was only the chaos - it would swallow her whole.
Tangled inside, where was He who Hovered over the Waters?

What a dangerous Companion,
a peculiar Avatar, such a daemon
this spirit-guide that could kill her
how keep it loose?
how let the light through,
so she could trace the path inside up and upside down
through different sectors and faiths and geographies
to find the threads that held them together
to create the connections and hear the world's sweet song
to flow on that endless wandering river
where the devil despaired of finding the ending
for this is just the beginning.

Keep it in the circle
of fellowship and friendship and Words
Keep it in the circle -
for there are two golden threads
one to you,
and one to the Other
to the Nameless Shadow Light
that
somewhere between the in-breath and the out-breath
is always
breathing Her Own way through.



skeletons and candlelight

Skeletons and Candlelight

i told him the skeleton of the story

just the shape of it:

the meeting the injury the slow healing

of the hip and the thigh bones.

I left out

all those stories of tendons and flesh and the sweet softness of the skin.

In a candle-lit pub on a monday night,

skeletons were enough.

but then he

leaned forward, eyes a-fire and said,

my dear

what the hell

were you thinking?

where have you been what were you doing?

Throat closed tight. I would not answer him.

no need to shed so much blood.

Gripping my hands together i couldn't really feel their bones

just the muscles and soft flesh.

i keep my newfound silent boundaries,

but story-teller me wonders - how to explain?

how the tendons had held the break

how the walk may have been limping but it was still a walk

how only now i begin to realise

how far I came with those broken bones

how slowly did i travel? I still don't know.

But his face was alive.

(life is so much more than skeletons - eyes and mouth and ears and nose; i get so captured by these senses, and your taste still lingers on my tongue.)

smiling into my quiet he said,

you have so much living to do

you don't even know how much living you have before you

Maybe. My skeleton is still not set straight.

bones not yet perfect allignment

tendons

don't know the proper timing of flex and easing,

muscles

weak - they complain at this exertion.

skin -

has it always been so soft? I feel everything.

i didn't tell him the full story.

of how the flesh was so beautiful;

the heart beat, so strong.

but who can i be without the skeleton.

Now, breaking bones to set them right again;

structural change takes honest strength and such discipline

the tendons can re-shape themselves

the neurons learn a different pathway

the breath find a different rhythm in the lungs held by the ribs -

still - i won't ever forget

the sweetness

of your flesh

and the gentleness of your breath.

still - now

i must attend

to the discipline

of setting bones

for a strong skeleton.

In the Candlight

his eyes laughed.

he seemed to See into the skeleton

You have come far

On such broken bones

Now with the mending

Where will you go?

Such conversation

On a Monday candle lit night

Is good medicine

For a healing skeleton

i would throw stones

I would hurl stones at thee
oh Great sea
harsh pointy rocks
into your vast calm waters
throw them in long curves
to reach your depths
to perturb your stillness
to vanquish this inner fury
i, who am not vast
who can not walk on your waters
who can not calm your rages
who cannot reach your dark depths -
where the giant squid
and octopus and whale
keep their secrets and their pleasures
and not even these stones
would disturb their terror and mystery -
even so:
I would throw stones at thee

i would throw stones
but the ripples
what little impact those ripples would have
quickly washed aside by
waves, currents and fishes.
the pull of the moon
the whisper of wind
mean far more to you than I

oh Great Sea
i would throw stones at thee
but instead i sit
behind desks and computer screens
while your gulls circle, cry and mock me
reminding me
of how far
i am from your salty
stinking, biting, freezing, growling, howling

- cleansing -
Breath

Monday, February 7, 2011

In other people's houses

If you spend your whole life
in other people's houses
you don't know
it isn't your house
until you loose your set of keys
and you've left the oven, the heat, the lamps on -
but the locksmith
is legally prohibited from opening the door:
it would do too much damage
to someone else's property.

In other people's houses
I have lived my life
Father, mother, friends, sisters, lovers
universities, landlords, elders
strangers, travellers.

The guest who did not leave
the young woman in need of help
the figure caught in transition
The victim of circumstance
the reality of radical, off-the-map pathways.
Many masks, one form:
other people's houses.

Pleased when I could entertain guests
give lovers (who for some reason could always fix things)
a place to stay
friends and ministers food and drink ....
even if i payed the rent
it was always
in someone else's house

if this act
was political:
defiance against ownership and property
against rules of society
constructs of reality
then: more power to me.
or if I was a gypsy
a nomad, a wanderer, a cattle-herder - then perhaps....

but really
none of this was born of critical consciousness
or purposefully chosen global exploration
simply a default modus operandus
Expressing a particular construct of how-to-get-by
as if this form of survival was the only option
under-earning
debting
to the kindness of strangers
and the needs of markets -
Temporary accomodation
resting spots
no roots here.
Ensnared by short term thinking:
Financial markets, unsustainable societies, and me.

In other people's houses
I entered their minds sometimes their hearts
Living out their dreams and lives.
father's rules, mother's hopes
compliance compliance laced with defiance
Camilleon: I can do this and that and that as well
but is this mine
when is this mine
where is this mine
who is this

who is this woman
who lives in my house
my body
who tells me to go here and there
who feeds me and nurses me and clothes me -
who is this woman?
living in my house
my body
placing it in his arms
on her floor
shaking
who is she? surely, this woman, she is not me?

sometimes
i go out.
to the House i discovered
a long time ago.
the house with no walls.
just stars and wind and the call of the coyote.
pungent earth and grassy wind.
i know i am home.

But these days
in this country
of dark nights and rain-soaked days
walls, floors and ceilings
to care for my books and my papers and my heart
seems to necessitate
learning the art of architecture
electricity and plumbing
of building
a structure meant to last.
or so i say.

but my hands
are soft.
those hard skills -
not yet mine.

Some whisper Promises.
that i can find the keys to my own house.
that it is already built.
but first i have to remember
where i hid them
back when it was not yet safe
to come home.

lessons on fire-making

he danced with his hands
or was it has hands who danced with him
birds rising and falling
one torn one worn
grip as powerful as an ape
swinging through the trees
the boy who climbed to the top
and reached for the stars
and laughed

even when he fell out the window
blood going everywhere
mother desparate: bind the wound
tendon broken
but the boy lived
and had himself a giggle.

He grew
mis-shapened
by the whisky on his father's breath.
Still he grew, tall and thin and straight.
but so much was crooked
bent to compliance and defiance -
a string of women, several failed relationships -
bent until he almost broke

but those hands
they knew how to grope and reach
to thrill and excite and bring to life
they brought so much to life
art and music and other people's creativity
hands moving over fabric, making things anew
his hands knew how to laugh
and when he broke
they knew how to be still
to rest on his lap
fingernails filled with dirt
nails unfiled
calusses from laying bricks, designing gardens, playing with dogs
holding nothing here
but his own heart

in the silence
he reached out to the trapped boy the lost one.
he built a foundation at the base of his self
his hands didn't move
as he filled the holes burned by papa's whisky and this-is-just-too-much
with a new kind of healing soil and then - warmth -

in the quiet after the fall
he discovered: fire

his hands showed me
lessons learned amongst trees:
How to make fire.
Smash stone against stone.
(fist against fist, knuckles scraping one another).
the spark.
slowly feed it with moss and sticks (miming, one atop another)
small ones
dont go too fast
go slowly.
blow
your own life force
breath
is needed
blow
gently
focus your attention.
(hands cupped to face)
focus on the fire
not on the howling wind or the cold night or the bright stars
focus on the fire
(hands a circle, holding, containing the brightness, shielding the spark)
let it grow
soon now
soon
there will be roasted sausages and sweet potatos
(hands splayed wide, fingers stretched out, an exploratory adventure)
but first (hands drawn in, close to chest)
slowly
nurture the spark.
(hands cupped together,
as in prayer
with space between
or as if he held
a tender bird
almost
ready to fly
to dance-
almost).
and then his hands
laughing, warmed: resting.







(11.15 am - a prayer)

This is how I need you
In this present moment
To be seen
To be heard
while I am silent
just typing
just reading
just working
to know that you see me
when i am working
that you are not leaving
the door is not closing
the window is secure
the house is closed
you are here
you will not leave me
you see me

i keep reaching for the false-yous
crackers cookies cups of tea
fb friends, family members
books banter bullshit
ex-lovers, ex-partners, ex-colleagues
dinner, drinks - distraction

meanwhile
time passes
life energy floating not caught not captured not used well
seeking focus and a future
in this present moment
i reach out
teach me how to reach within
before it passes me by
this precious life
reaching in reaching out
the dance of the world.