Wednesday, June 29, 2011

the currency geek

he was coming the visionary
from far away countries
with stories of the impossible:
people learning to trust one another
discovering the meaning of
complimentary
And the possibility of value
shared; created.

on the morning of his arrival
i didn't want to move
recalling his steel blue eyes
his long black mane
his hands, from farmer's stock the
nails bitten absent mindedly
as he typed as he listened to my
growing confusion on the monetary system
he once
held my discoveries with the gentleness
of an elder his eyes
laughed
when we let our differences come together.

Our first walk:
10pm in London, around and around
in circles of old trees and fenced parks and
cobblestone streets
I in my frock and he in his torn t-shirt
the nomad working
building an 'impossible' world
one community at a time through the creation
of the most important thing
the exchange the gift the value:
currency
he had almost nothing in his pocket
he sought a different kind of exchange
why spend money on anything
that would line the queen's purse and the banker's rule
he was harsh, critical, stern - even cold
always looking for what would push forward the mission.
he said, i don't really feel.
he spent his life staring at computer screens
creating a code for a world that didn't yet exist.
the first time he rejected me i took it personally
only later
when he held me
stroked my hair and we let ourselves loose time
just for a while did i realise
we all have onion-layers

we went around to the parts of town
where the ordinary people
sought an extraordinary realisation
of creating themselves anew
separate from that City that sucked life and drained
away integrity from the lands of peat and oak.
why had people stopped using the lewes pound?
they said what we already knew:
novelty rarely creates lasting value.

my friends giggled when they met us together said
oh he is so handsome! and so kind!
i looked at his face again.
his backpack was never far.
Yes, i suppose
but it was his voice in my ear.
what's possible:
communities creating their own value
he was doing the work the only way he knew:
a prophet on the road.
i would have him no other way
for this is his form - true.

now i'm not as clear
in my own destination
i resist moving
from my nest this morning it was all
too bright
the sunshine on the buildings of victoria
albert and stonemasons and deadlines colliding

i said - be warned:
i'm as dark as a demon these days
moody as a roller coaster gone a-riot
if i snap i snap.
and i'm making no promises about - anything.
past performance is no predictor of current capacity.

he said:
depression is part of the human condition.
No need for the warning.
I will take you
as you are.

Ah, you nomadic geek.
coding currency
valuing only the true:
that space between the hard
objects of our world;
it is so soft
the value only we can give one another:
this precious grace










Tuesday, June 28, 2011

moving stones

argh the stone!
i cried.

it is so heavy i
wish it could just roll away
down the hill
no more of this moss and liechen
i just want it to
disappear but
moving it
takes more strength
than i have.

she reminded me
at least you
dont sit in front of the television
with tv dinners. you have strength
my dear.

not that this is much compensation
for those who dream of flying. but i'm
sure she's right.
she usually is the lady

who works to
(re)move stones.
first we find it. then we measure it.
then we look for its leverage points.
figure out
the best place to
put our backs we need to
push
continuously. regular application.

of course
the stone can move.
of course
it always takes two.

of course.
even Mary
did not move back the stone
Alone.
how many of us are there?
not yet fully emerged
shamans healers ministers
we knew it in those early years
when the lightening bolt came
nearly knocked us down the
black and yellow and gold the
message the
Promise.

we who are called to Her side
to listen to the moaning
and bend our minds to task of gathering
evidence and people and ideas to
be awakening

I keep discovering us
scattered and embedded and striving.

Monday, June 27, 2011

living without hatpins

I've got this thing for hats
big wide white ones
curly cues on red ones
fringe on black ones
Covering everything:
extravaganza.

I've got this thing for this
somewhat improbable
attempt at practicality and
extravagent beauty.

Hats yes but not hatpins
They stick to far too fast so I
can never seem to keep the
damn things from blowing away
they require
so much holding on,
my fetishes.

In the past few years
I've lost a few good hats
and a few have resurfaced again
like your smile in my memory
when I had thought you good and gone

He said it would be a wild ride
the loss of consumerism
with the financial crisis
and all that
funny i haven't noticed
a lack of hats the
pretty girls at ascot
might be a different skin color but the
hats sure do look fine and the
consumerism
continues making good times
good for those who don't worry
about if they've got enough
for that total unnecessary
head garment

he kept removing it
the hat
saying my hair was so beautiful
maybe i should revel in the wildness
but i'll keep a few things
just in case he's right, the visionary
it might be too soon
before there isn't much extra room
for wide brims
that hide eyes and hearts and the secrets
of beauty.


invisible

Invisible -
he knew his most important work
was when someone else said his ideas
not even knowing that weren't his own.
He sought that most subtle
manipulative of powers the power
of the mind behind the words
the imagination unleashed from
the bondage of too many assumptions
quietly enhancing empowering
to illicit
the want that wants to be wanted.

That conversation
with the head of police
after the workshop -
his head bowed
shoulders straight - nothing but
responsibility
and too many late nights
and the sights that should not be seen;
despite all that
something was - missing
not a person a process an insight - something a
transformation.
Then the Invisible one
said a few quiet words
a question, posed at the right moment -
a breath of fresh air
in the light of darkness,
the coffee stained carpet gave way to
patterns to
recognition.

When the Chief
repeated the words of the Invisible one
into the microphone and the assembled ones
nodded in appreciation
He chuckled to himself:
a job well done.
That they walk far:
that is all he asked for.

But what happens
When the client stops calling
when the donations from the corporations
stop rolling in and the monastery
where he had studied and practiced the art of
invisibility
use up their stores
of bread and bones?

What happens
when people don't want his services
because they don't know what he does
when the shape-shifter
can not be found because he is shifting shape
too often?

What happens
when the invisible
must become visible
to be found
to be made
invisible
again?

It was the crisis that did it
forced him to play his card and
choose
a shape for the world to see
force him to take a pathway
in the direction of love done fiercely.
he could hide and possibly drown
in the rising tides around his
island of sweet lavender and oaks and
the cell of the celtic
or he could build himself the raft
of left over animal skins and new friendships
tie tight a few books on his back and
travel
to a new world where he
didn't recognise himself -

We've done it before we
pioneers. Who said we ever wanted
to be someone else's hero we just
aimed for survival - and some of us sought
-justice
for those others who had been invisible
far too long
who needed
the knowledge we had harvested
each on our own blundering pathway:

to step out of the
shape shifting role we had to say
this is who we are
and we have had
enough

of the invisibility.
when did all that humility
come to mask the perfectionism
'i'll do it all my way',
stop the publishing the
realisation of the visioning the
articulation the action the
actual birthing of
something that resembles
sustainability -
it is not so
soft.

when must the Great Invisibility
show Its face upon the waters -
when is it time
for those made in It's image
to emerge from hiding?

when the waters
are rising.

Saturday, June 25, 2011

for the reed amongst the oaks

oh, those magnificent oak trees.
They have shaded you so long.
Their trunks so large that even you
dear man
can not wrap your arms around them you
who held the little girls in your arms you
who held thousands of patients' hands
checking pulse, breathing, eyes
and now it is your
pulse breathing eyes
that those white coats check
as the doctor becomes the patient
that familiar disease of so many of us
westerners living in the risk-world
of endless growth.

oh those oak trees.
may they carry
on the back of sunshine and shade
these blessings.

blessings for a man of kindness
a quiet man who smiles sweetly
laughs gently
a reed bowing to the Wind

i call and
you seem on another island
even further away than america
even further away than home.

how are things?
Oh, not so good
At least I can stay at home
And there is not much pain
And I can still walk
But I'm weak

ah, yes: weakness - i hear
the raspy voice
You were never thick
I imagine you now,
a reed whistling
with the wind
of life and death
there is something so
pure
in the sweetness of your
raspy whispering.

May those oak trees
bless you with
beauty
bring the birds song
and the flowers of July
into the life of your veins
shining out so blue
like the streams
amongst the golden hills
the streams of moss, fern and home

you in your wood house
filled with books and tapestries
you who have given me
nothing but kindness
well-wishes
and a heart fully open
even before this 'abnormal' growth
ate into your tissue and bones you
were always open
to wanderers such as I
who keep at nothing if not growing

Have I loved you well enough
you reed amongst the oak trees?
I wish I could give you
more than blessings
on your journey
from this world to the next
You would shake your head, smiling gently.
My dear, it is enough.
For you
I have always been
enough.
your deep
acceptance of me
(and, long ago, when it was we)
For this
I thank you.

May you
Know in these last days
everything of what you so generously gave
love and kindness and patience and gratitude
may you
put together all that needs to be done
so you can bask
in the warmth of your fine family
two daughters - successful, strong,
courage in their wry frames they always
reminded me of you
such a wife, familiar with suffering, sorrow, joy
the mysteries between two people are seldom
fully known.
the cats, they come and sit besides you the
flowers you planted the fresh tomatoes of
california sunshine you can
still
taste everything please
may each morsel be
easy

may the pain
stay far away. I may believe
in feeling everything but
really
there is no need for that.

may the love come even closer
the light even stronger
may you forgive them
for what they knew not what to do and
may you
forgive yourself
for all that you left undone and
may you find happiness
in the pain of breathing weakly
may your mind
rest and still move
(not in desparation nor boredom) may i
learn
not to put off that which most needs be done
that work only i can do
a sign of peace
a piece of work
a string of words
in meter and in song:
protest, truth, resistance and
liberation

may you
be held in the arms of the Lover
who walked with Death at the Beginning
before you were born she
knew the arch of your smile and the
shape of your eyes.

May the winds of the high summer
blow sweetly
as you greet
whatever
it is -

that is a road only you can walk
the oak trees
only you can see
the wind only you
can let whistle through these
last few - times
i - i can only wish
that for you the oaks
hold you in light and shadow
and the wind be soft
not too cold
just a soft breeze - just
lightness
for a reed
in the dappled shade
of the might california oak
ah - may you rest
in the long time sun
shining you all the way
home

Wednesday, June 22, 2011

noon-day poems

let me write only at dusk
with a cup of ginger tea
or in the early dawn
with mint leaves and honey
and the birds laughing their way
into the day
when the colours sweep across the pallet
of my typing
and the haze and the sweetness
brings words together
the sweet swallow's song

it is not that the mid day sun
does not bring with it the poems.
Indeed.
They come hurtling at me
assaulting me
with image and verse and rhyme
i become
desparate
to write and even more desparate
that they be read
and you dear reader
occaisionally oblige

but really
even though they
are
beautiful
they are becoming too painful


they become
that which I do
to myself
instead
of that which I do
for myself

you noon-day poems
take me away from
that vital noon day meal -
from
bread butter and self-sufficiency
i
just can not afford
the noon-day poetry

let my muse
turn my head towards
that which generates
income and 'real work' and 'success'
let he
show me what to do next
how to win the proposal
how to secure the outcome
how to re-write that paragraph
that will do the work
that reconnects the
academic and the practitioner the
thinker and the thought the
earth and the value of creation
the work
not only of networking but of building
the community
beloved

i seek poetry
actualised
poetry
manifested in brick and mortar
in reports and published papers
in meetings and invoices and human resources
transformed.

please
mighty poetry,
in all your glory
my dear muse,
in all your strength -
help me
seek thee
not only on this slip of a page
but in the world.
help me
build thee
create thee
form thee -
manifest thee:
beloved in the flesh.

the prickly pear

the prickly pear
she was at least 100
trained in the judgement
of medicine her MD
hang about her like a
stone
infiltrating itself
into the tightness of
shoulders wrists and knees
there was so much pain
in the stiffness of her glare
behind the broken sentences
but still she came
to the workshop on healing
with a swamp of cynical harumphs
enough to swallow
any who dare sit too close

the lady who came to herald
the grace of the creator
that can be found in the simplicity
of hands and hearts brought together
stared at this wounded child
the apple wisened past sweetness
this is what she was given
to hold: that which did not
want to be held.

what if
she asked
you just - tried it out?
just - experimented?
well.
the prickly pear
harumphed.
I suppose I could
just give it a go

And so, muttering,
she sat in the chair in
the circle of Members
nobody special besides a few
Ordinary Humans
(made extra-ordinary by Love)

And they came to her
hands outstretched
touching her
sholdures
hands
knees
feet
she
who had never really
let the grace of the ordinary
or the simplicity of the hands
the touch
of the lightness of the baptismal waters
wash over her
stones

she was, there, held.

later
those who held
spoke of beauty
of meaning:
to be able to care
to hold
the prickly pear
to discover
the smooth soft skin beneath

afterwards
she was quiet
not so many harumphs
something
indescribable
touched

the healer
for a few moments
healed
who knew that even prickly pears
could taste
such sweetness:
their own

oh!
these imperfect clay forms
in Your image:
You make all of us pears so
precious







requirements of the cheerful order

The founder of my faith
did not merely say,
'walk cheerfully over the earth'.

The Fox said,
'walk cheerfully over the earth....
spare no deceit. Lay the sword upon it;
go over it....
Spare no place,
no word, no pen;
be a terror
to the adversaries of God
and a dread;
answering that of God in them all.
Ye have the power, do not abuse it;
eye the wisdom...
the wisdom of creation...
that you may be
ordered...
may you live...
where glory
and life is.'

Deceit.
Foolhardiness and fooling - ourselves
of anything less than -
the glory the life of god:
action truth beauty
stand on top of structures; tear them down

this requires
a fundamental
life-transformation.

why didn't anyone tell me that
walking cheerfully
required
such radicalness.
that the Christ
is nothing if not
revolutionary
that without revolution
we just keep spinning
the same fabric of destruction
not knowing where to turn we
move: myopic animals just
turning randomly floating endlessly
un-ordered.

but there is an order there is
Love
who comes with the sword
of the word.


Tuesday, June 21, 2011

into the long

Turning the bend we imagined
they would greet us like Giants
these Mysteries of the Isles. instead
they were so much smaller
just a little circle on a hill-side.

In that strange blue-florescent bright night-light,
we'd be hard pressed to find a ritual
much less a druid
here; instead just
raucous squeals, twisted dreads of that
breed of mostly-young hippie-consumers:
even before midnight,
beer cans and plastic strong-bows
litter our path.
That throw-away culture
colliding defiling melding - defining
the usually clean 'English Heritage site.'

Long: the plastic forks for the stringy wok noodles
will take decades to decompose
Long: the squeals and yells seemed to never end
just pass from one flippant smiling baggy-jeaned girl to another
Long: the pull, the pull of 5000 years -
we kept walking
Long: the sacred walk, the ancient walk,
of breathing and rhthym and rhyme.

picking our way amongst
debris blankets hash
we walked the walk
we had never been permitted to walk before we
crossed the barrier
that tonight of all nights the English Heritage
did not police
we crossed the barrier
that even we did not understand:
the young coming to greet
the Old Ones

She gasped as we crossed the barrier
Took my arm; her hands were cold
she said can you believe it
they suddenly seem so
big

So much smaller than anything in London
When we crossed the barrier
size reconfigured itself to a world
without skyscrapers just human
muscle and laughter and (perhaps) faith

Oh, these stones.
Crossing the barrier
that my parents crossed
before I was born when they
stood here
I now stand
I now stand
Amongst the standing stones
touch
5000 years of lichen and cold and warmth
nothing but compassion
we all reach out
to touch the Long
Not noticing
if we stand on beer cans.

All night we
kept staring at them.
She popped a little seed
told me it was acid and would only take
a few minutes to work -
He opened and drew back the strong bow
glowing golden light shining through plastic -
she carefully laid out the flimsy trash bags
to protect us from the wet -
(we were without wool blankets.
we were not our mothers.)
and we stared into the Long
embodied in the stone
----

I waited till after midnight
to fully enter into it, into the Long -
i feared a mosh pit
but the press of so much living flesh was more
akin to swimming among a thousand seals.

After my sholdures
began slowly to move
(how did they get so stiff?
how did i forget the rhythm?
Where have I been? - oh yeah - Lost
in the short.)
I took up the meaning of my given name:
princesssan, wise woman, minister-ess
she who (got away with) laughing at god
now standing on Stones

Not so high
as a corner office i could still
touch the head of the drummer
who came to sit beneath me let his rhythm
overtake me
dancing and spontaneous yelling
embrace me
as i stood on the (sacrificial?) stone

celebrating the longest day
through witnessing the shortest
(misty chilly) night
Raise hands above head
draw down the moon
(dear druids please forgive us
we mean no usurption just responding
to that calling we have all almost forgotten:)
raise up that old life force
that beats so strong here
here in the long

looking amongst a sea of laughing untrained warriors
who do not know the ways of the druids
who do not know the chants or the songs
who do not know how to care for the dying
who do not know how to properly wash the dead
who do not know how to harness the energy
Who are looking ahead only dimly, drunkenly
I see the stones
holding the hooting descendents of their makers
such immense imperfection

In this time of such planetary destruction
we are the ones they must rely upon for protection?
(or are they the weighty Guardians?)
do my fellow dancing fools know the collapse of the system?
regardless: the stones hold them.
they have seen so much more than I they know
the rise and fall of how many kings, civilisations, children

In the flashing lights of cameras
even the stones in their stillness seem to be moving
opening
Maybe in the old days
it wasn't always proper somber rituals
by chieftans
but sometimes
people came to laugh drum scream
awakening, the stones danced in their stillness
on the longest day of the year

I in my remembered-role
the men came to me
dancing, telling me
their confessions:
how they would never miss this night
how it gave them energy for months
how they couldn't explain it but
how they came to reclaim
their heritage, not to be bought
for 7 pounds - concession.

These men
emerged from finite hundrum isolating frustrations
saying: these people - my tribe
wasn't it so beautiful
the dancing young
amongst ancient standing stones

Yes, I said. Yes.
And you from America! they laughed
that their cousin might see what their sister
who stayed at home to watch tele
did not.

They came
men in big boots with strong hands that reached
for booze and women
and for the stones
they
ran their hands over the stones
in hommage
into the long

----
After the dawn broke
When the fields were filled with summer's colours
21st century England's barriers between
clean and filth, ruler and ruled, the poor and the proper
re-emerged
in the form of yellow-jackets with sharp teeth
the bobbies pointed to the exit - that way.
(as if a circle ever had one exit.)

suddenly the
lust
for the stones increased
inadvertantly compulsively we ran to them
reaching out
to caress them
to touch
the Long

we who have too many barriers
to one another we
not knowing how to trust each other we
hoped these
Guardians could teach us
of that which we can not remember
oh how long till we can touch them again?

that one, the tall one
his blue-gray skin etched with wind, rain, and kisses
( i suspect also - swords) i could
stand next to him and lean
and he would never
leave
just murmur the sweet nothingness
of the Long
that accepts infinitely the sorrows and joys
of those trapped
in the short.

but the yellow barriers resurrected at the orders
of class and power which these days
says 'heritage' is to be 'consumed'
at a distance
(without touching, any distance is too far)
came sweeping in their bullet proof vests -
(we who seek to love are clearly dangerous)
instinctively no need to scold me! a flash of anger, though i knew the rules before i came
i know how to
re-cross the barrier
(this walk of leaving, at least, i've done before)

Suddenly everything
(myopic animals/ election cycles/ quarterly reports
my time here) was
too short.

Leaving (not again)
I kept looking back we all kept
glancing as if afraid
they had moved,
shuffling back into 'tourist mode'

from the top of the hill
they looked small - even short.
Certainly cleaner,
tip bags piled neatly
in the far corner.

But my heart,
re-aligned by Giants
still remembers their rhythm.

I pick up someone else's trash
join the bus, the chatter, the 10am pub crawl
dozed on a train filled with suits
considered talking sense into a silver-cufflinked oil-man -
my fellow travelers they somehow have confused
stones and humans. where is the open heart?
may they also journey
into the long
before their short-termism
goes on far
too
long
that they forget
the terrible curses that befall grave-robbers
(especially those who burn fossils into fuel)
and the burial grounds
(where shall they go, do they know?)
and the henge
of standing stones

















Sunday, June 19, 2011

On Father's Day


My father has a habit of dying.
The most recent time -
a hundred miles an hour so fast
through a tunnel
with more darkness than light
partial light - into the dark,
until the end of the road to The End
but that end was Dark. So.
Turn off the engine.
Wait.
A woman. Gently. Eat this - honey.
Her voice, such sweetness: drink this: water.
Dim light: some loneliness, some joy.

My father dances with death
The way I dance with life -
One foot in and one foot out.
Except, says he, the day I first made him a father.
At my birth, he saw nothing but Light.
Such is the naked power of the babe
the miracle of dark tunnels, a bit of light
and then the screaming.

When her father died she
shreaked
the howl shook the house. the chickens squaked
and the dog cows horses neighbors joined her inner chaos.
No attempts to hide (control) just
intense pain
if only she had left earlier but he
was healthy not that long ago -
There were (always?) so many if onlys

After his father died he
wrote and wrote reams
pages of poetry and scribblings
that which was never able to be said.
And now he talks to his dad,
Casually, with ease, and openness, and simplicity.
he says,
My relationship with my father is so much better
Now that he is gone.

When his father died he
sank to his knees in relief
let the sweet salty breeze wash over him
at last it was over
years and years of holding on
both men finally free
(The tears came later
when his cat passed over
he could barely work
the house was so empty
without her quiet)

She often wished
her father would die he
never said anything of kindness
she kept near but he never
said those three words -
the writer had no articulation except in tears
she could only keep working - hard.

When his father died he
was lifted, Ennobled
His father's grace, glory, beauty
passed like a torch
into his very being and he
stood taller, wearing destiny proudly:
to be the son
of such a great man. Now even his stride
sang his father's tune.

When his son died
the marriage followed suit
the house left not long after
and the cacti in the desert
heard his song of heartache
its sharp needles and sweet flesh
bore witness to life (what was left of it).
When he finally left the desert,
it was with the cacti's small bright flower in his heart.

After his father died
he watched them. Those two
little boys now shining into
strong reeds of manhood with their
white suits on green grass
fierce concentration
generous laughter - such fine qualities
Here, for once! (and forever),
he loved - and loved well.
At least his father,
(who had always found a
few quiet moments
for his frantic mother - now not even he
who fits into the old man's suits
wearing well the protector's steady posture
can ever fill
that empty space
next to his mother
she now sits alone.)
got to see his sons like this:
growing.

The first time
my father played with death
I had no experience of
growing.
That came later.
Then, it was more like
being buried while breathing.

Even so from my father
who flirts with death like a lover
(his favoured danger-pleasure)
Death, who won't ever leave him - not like
the others -
my father
(who hates hallmark holidays)
my father -
ah, bless him.
for those hard-earned teachings, such lessons as
holding on when everyone said
he would never cry moan complain think
again
somehow papa just keeps on
living
a manifestation of (what else) the wry humour
of his Father.

at least today i know gratitude
he is only dying, and not - yet - dead
and I?
Still learning
To turn this process of dying into one of
living to go through that tunnel slowly
burning brightly

Friday, June 17, 2011

close

Close
I mean we never meant to get so close
so close that we could possibly get so far
away as across the street
you are
so
close
and i am
so
far

close we never
were going to get close
just some light flirtation
you
and even i are not exactly the most
available
for closeness not when it is the warrior
and the lioness
pacing and growling she
wants - everything (and he has little to give)
to feel
the wide spaces of the sarengetti
not these
paved streets filled with preditors and then
there was you
leaning against a lamp post
stronger, harsher, much more the warrior
than i had imagined you
i nervous, restless -
you became like a willow tree
by a sweet brook the sun was shining
and i was
quite content to lay in the dappled shade
and just lounge nestling my mind in paws
a period of
not trying to get anywhere
and then

suddenly
i was too close
I didn't mean to get so close
i just
have this thing for the human heart
tender and beautiful and your
branches stroked my hair and the
breezes whispered a memory
and i
wanted to touch you
just to reach out and touch
after so much distance
if i remember correctly
i might have
touched
some part of you
gently
and you - flowed. at least for a few moments.
such gentleness in your hands
that hold such such wicked weapons
as pens.
(i should know.)
and now
you can't keep me far enough away.
from willow to cactus
i am here
push pull close far
i can only offer
something that resembles
peace and blessings
first for myself
and then (perhaps) for you

its not that i don't like cacti.
i can appreciate such stark beauty.
Lionesses also
walk long without water
go far without shade. I've
walked further and longer
and closer
than this.
my breed is not as soft
not as sweet
as we might first appear.
But i gave you my softness
not my teeth
and even now
i'd rather swish the tail
than strike out.
(do you want - claws and teeth?
you will have to play well.)

and its not like you didn't warn me
as clearly as a man can warn a woman
to stay away
from his prickling spines
a warning that came out like something
said many times before
or maybe a dare:
will I still want to taste
the bright flowers that even cacti create?
your spines: such potent burdensome gifts
all that
socio-economic radical critique.
but tell me
where is the root
that finds the source
of the waters
that sustain
desert cacti and english willows
and even the huntress

will you come back
or will you find another
cat
to play the game of meter and rhyme

and i?
another brook
Reflecting shadow and light?
Maybe.
Or perhaps
there is a space
between close and far
that is balance
(heh.)
neither desert nor willows' preferred
swamplands
the savanahs - ah, the savannahs.

i wish
that were true.
and that we were not headed for
desertification.
but these days there is no cool
savannah breeze
in sudan.
cattle bones lie parched
too much exposure the bald vultures
in big jeeps and black sunglasses
taking over.

maybe we are both looking for
brooks
that won't run dry
deep waters
not used up by
others those ghosty ancestors who came before
i ever reached to caress your cheek
waters not covered by too much
machinery
those fossil waters
that used to sustain even deserts now
so close
to being
gone








Friday, June 10, 2011

the thingness

This world this thingness
milky tea
no ideas but in things
pens, surface
stones - papers
poetry, such materiality
of grief and love
our daily life
must shine
irregardless
of work and money and relationships
scrub clean the toothpaste
and find the olive green branch beneath
elogies
there is a hope
in giving things up
there is a hope
transcendence
grief can return you to the other
its here if anything
mythologizing a godless world
softness of tea bags and cold beer
after you went to someone else

celebration and rennovation
praise as a response to Overwhelm
One to be with us
whomever we may be
Translating human life into landscape
look after the natural world
the super charged language
of the open

Oh the marvels the marvels
of the thingness of the world
that sweet almost unexpected
kiss
we whose minds gallop across days
captured briefly one another
in this our
thingness our substance.


red bus, lillies

Lillies of the valley
clothed by The Glory
seem to have no anxiety
unlike this precious creation
nail biting, nirking
constantly shifting thoughts straying
fretting about such impossibilities as the past
mattering the worry stone often.

those lillies
(tigers, easter whites, everyday sunset orange)
reminding me
nothing is as perfect as this moment.

And why not?
Why not believe that this moment is perfect?
The laws and regulations
the systems that malfunction
such crazy-making
where the sane are locked up
or locked down
or locked in
locked around one another
trapped
quietly desparate

may there not be (is there?) perfection
in the unemployment
the injustice
the cry of the
dispossesed
the grim joy
of the filmmaker documenting it all -
the reaper

or even
the woman who laughed
when she told me
of the slaughter
how she made it here
to an admin job
filling somebody else's papers

she
born to a village of sweet potatoes
green beans, maize and bright mornings greeted
by chickens who ran free before
the men came who
tore it all apart
now sits besides me on this bus that
sways with colour and carbon fumes

it doesn't take long
to connect
our hips touching now turning we're looking
(so rare, here, to really look.
but we do.)
a moment of openness.
all my hours in front of a computer
hers: that long walk
out of Africa
fades even as it defines our shape and
for a moment
we are just two lillies
on a red bus
swaying
in life's chance-winds
possibly maybe even this is
Perfect.